BATS 2015 Convention report
The 2015 San Francisco Bay Area Tarot Symposium (SF/BATS) was held in San Jose (the venue was a hotel next to the San Jose airport) on August 15 and 16
Another fun, exciting, informative, delightful (have I used enough superlatives yet?) BATS has come and gone. Wow. Thank you, Thalassa! There was so much to do and so many people to see. There was an extensive collection of workshops, but that’s just one attraction. Spending time with your tribe and (for me, at least) networking with others in my profession are, perhaps, even bigger attractions. My only complaint, then, is that there’s never enough time to talk to everyone I want to, and with the triple presentation track, it’s impossible to go to every workshop I wanted to see. (Sometimes I couldn’t even just flip a coin since all three were “must-see” workshops.) But I did get to have a few great discussions with some wonderful people, and I did get to go to some exciting and informative workshops. So I thought I’d say a bit about this great event.
It all started with a drive up to San Jose with a couple of friends. (The trip always goes so much faster if you have good friends to talk to!) We arrived in time for a quick bite to eat and some fun chatting with the many people already there who were hanging out at the bar. Now, mind you, the event officially starts on Saturday, but we Tarot peeps are party animals (no, really!), and there was a party going on that evening in Marc Perry’s room. There were lots of people, wine, and fun … until it was busted up by Hotel security. (Okay, that sounds way more dramatic than it was.) So Davida Rappaport and I headed off to have our own little tête-à-tête. We had a great conversation about the Tarot biz, and we swapped readings. (It’s always quite interesting to get a reading from a fellow Tarot professional to see how other people do it. Tarot reading techniques are like snowflakes, it turns out – no two are alike.) I’ll just share one salient piece of advice from our conversation regarding a Tarot business: Set an intention for the kind of business you want and the kinds of success you want with it! Yes, that sounds simple, but it’s really powerful.
A typical beginning for a BATS experience is to draw a Tarot card from the cauldron full of cards at the entrance to the event. I drew the Beast of Wands from the Tarot of the Crone by Ellen Lorenzi-Prince. (Note that in this deck, the Beast corresponds to the Page or Princess.) This said to me that this event would bring me back to the enthusiasm for Tarot that I had at the beginning of my journey. It’s inevitable that as the years go on, the enthusiasm of our novice years sometimes wanes, but participation in events like this always bring back that fun and excitement of a beginner. And, indeed, so it did for me. So this was a great card for me to pick, and it’s an apt card to characterize one of the benefits of attending a Tarot event like this.
The first workshop I attended (and boy, was it hard to choose just one!) was “Tell me a Story,” presented by Pamela Steele. Pamela described to us a wonderful way to use the cards to create a story which seemed sort of like a more complex and structured version of “The Tarot Story” game. And then we had a great deal of fun using it! The intention of this workshop was “to help sharpen and polish your skills as a Tarot reader using story-telling to enhance your delivery.” However, I can see this as a fun way to use the cards in a party setting too, and if you write fiction, it should be a very useful tool there as well.
Next up: Renna Shesso’s workshop on astrological associations in the Tarot. She presented a variety of association schemas, each of which had its own unique features. (Who knew there were so very many? I have a hard enough time keeping up with just one!) But here’s the most fun fact I discovered in this talk. Do you know why there are two dogs on the Moon card? Here’s a possibility: In some traditions, this card is associated with the sign of Cancer, and Canis Major and Canis Minor (Greater Dog and Lesser Dog) are constellations close to Cancer.
After lunch I went to Pamela Eakins’s workshop, “Tarot and Soul Retrieval.” Pamela is the creator of the Tarot of the Spirit deck, which is the deck we used in an exercise in this workshop. In that exercise, we each pulled a card from her deck to see what blocks in our lives are holding us back. Then we did a guided visualization with that card to see what can release that block. (To facilitate the process, Pamela accompanied our visualization journeys with a drum beat.) The card I got (the Father of Fire) was very appropriate and the visualization I did was rather effective, which was surprising given the constraints of doing this in a workshop.
In the course of this workshop, possible meanings came up for several cards, which I’ll share here:
The Tower can indicate PTSD. A consequence of this is that the Star card can indicate Post Traumatic Growth (PTG), which I had never heard of before. Also, here is a quote that can serve as a pithy Tarot meaning for the Seven of Wands: “A broken spirit is mended by the courage to tell your own story.”
The final Saturday presentation that I went to was “Tarot Divination and Chinese Fortune-Telling Theory.” In this workshop, Benebel Wen noted some interesting comparisons between the two systems. One thing that stuck out for me was a way to get Yes/No answers to questions.
In the Chinese system, there is something in most Taoist temples for lay people to get Yes/No answers for questions asked of deity/deities. Jiao Bei, or divination moon blocks are red blocks of bamboo or wood that have a round side and a flat side. The process is this:
You connect with the Divine, ask your question, and toss two Jiao Bei onto a tabletop. If one is round side up and the other is flat side up, the answer is yes. If both have round side up, the answer is no. If both are flat side up, the answer is being withheld, is indeterminate at this time, or it means maybe. (This is but a brief summarization of the process.)
I have seen several variations on this theme in Tarot. The most common (from my research) is to use a deck in which the cards have been shuffled to give both upright and reversed cards. Then you deal two cards and interpret the Yes/No answer based on the relative orientation of them. The way to interpret the answer is both similar and different than what one would expect from considering the Jiao Bei system. In this case, your answer would be yes if both cards are upright, no if both are reversed, and maybe / indeterminate if one is upright and the other reversed.
I found it remarkable how similar these two methods are, considering they don’t have a common origin at all. (One might expect Yes/No questions to be answered by just a one card draw: Upright = Yes and Reversed = No.) But the difference between the two is also remarkable, and it could indicate an interesting insight into Eastern vs. Western culture. (Forgive me for this quick tangent.) Western culture sees value judgments in dichotomies, so when one thing is good (Upright), the opposite is bad (Reversed). Hence, a Yes answer comes from two upright cards and No comes from two reversed ones. In Eastern culture, however, neither Yin nor Yang is “good” or “bad.” It’s a balance. So there, a Yes answer comes from that balance of one moon block round side up and the other flat side up. Both of the other answers, No and Indeterminate, come from both blocks being in the same orientation (i.e., out of balance).
I’m just sayin’ …
Okay. So that was it for the presentations on Saturday… but not the end of the fun! (Remember, we Tarot peeps are party animals.) Saturday night brought the Magical Mystical Mixer! First, however, I went out to dinner with the inimitable Joseph Martin and a couple other of our friends. It’s informal little gatherings like this that add a special something to a Tarot conference, and the chance to catch up with Joseph (who I’d not seen in a few years) was no exception.
The Magical Mystical Mixer also provided a chance to schmooze and network, but in a costumey sort of way. Of course, you don’t have to dress up (Me? I’m too darn lazy for that), but honestly, you’ll never see so many bustiers, corsets, and flashy clothes (not to mention the bling!) in one place. I’ll just show you a couple of pictures to demonstrate the fact that you can dress up to the Nines (as you can see with the lovely Mademoiselles Katrina Wynne and Rana George) or not (as I so deftly demonstrate).
The dawn of the final day of the conference is always a bit bittersweet since I know that I’ll be leaving all these great people and events at the end of the day. On the other hand, I know there’s lots of great stuff still coming up that day. In addition, my presentation was scheduled at the final slot of the program, so there was that to look forward to.
First, I want to Mary Greer’s “Tarot and Jung’s Map of the Psyche” workshop. There is a great deal of material out there relating Jung’s theories to the Tarot, and there are a lot of correspondences between the two. Fortunately, Mary tailored her talk for people who are not well-versed in Jung’s work, so her explanations were understandable to all. (For anyone wanting to learn more about Jung, she recommended his book Man and His Symbols, which is written for the layperson.) She gave us all a very useful handout which showed her version of Jung’s Map of the Psyche along with a spread based on this material. (I have not yet had a chance to do a reading with that spread, but I look forward to using it soon.)
One quote from Jung, which Mary related to the Devil card (and which thus makes for a great pithy meaning for it) is this:
“The Union of opposites appears to the Christian mentality as evil.”
(Note that the male and female figures on most versions of the Devil card may be seen as representations of opposites.)
PS: If you’re interested in some of Mary Greer’s thoughts on Jung and Tarot and you missed this workshop, you can read her blog post from a few years ago titled (appropriately) Carl Jung and Tarot.
Next, I went to “78 Riffs on a Theme,” presented by Rodney Carter. This workshop was an exercise in ways to see the good side of (so called) bad cards and vice versa. It was a fun and very interactive presentation, which reminded me of my own “there are no good cards or bad cards” philosophy. (You can read my own take on this subject in my blog post “When Good Cards Go Bad.”) One surprising new card meaning that I got out of this exercise was that the Ten of Pentacles (typically seen as a “good card”) can represent hording (generally seen as a bad thing). Very interesting! (And yes, that suggested a pithy Tarot meaning that I’ll be posting soon.)
Right after lunch, when post-meal drowsiness sometimes sets in, I went to James Wanless’s workshop titled “Out of the closet: the Tarot revolution.” First, let me say that putting James Wanless right after lunch was a stroke of genius on Thalassa’s part because he is one person who is guaranteed to keep you awake! In fact, no matter what his workshop is about, I always know it’ll be exciting and inspiring.
As for the content of this workshop, James focused a lot of attention on the Tower card because he says this card is revolutionary. Thus, we can see a side of that card not often discussed: it can indicate revolutionary change or a revolutionary personality. (See? It’s not just about disasters!) He also gave a great pithy meaning for this card, which I present here with his permission:
“Break out before you break down!”
And he talked about how this card is also about getting out of your comfort zone or coming out of whatever closet you may be in. It says, “Don’t keep doing the ‘same-old, same-old’ if you want to grow and reach new heights.”
We also did a couple of exercises. James had us pull a card to see who or what we want to be in our Tarot practice, and then we paired up and discussed what that card said with a partner in the class. He also asked us to think of someone who epitomized a revolutionary spirit, and then do a quick visualization with that person to get advice about how to revolutionize our Tarot work. That was a good one! I chose Che Guevara, and he urged me to be more courageous in speaking my truth and asserting who I am and what I do with my Tarot practice.
Finally, I’ll leave you with a couple of quotes from James Wanless:
The power of the Tarot is in the element of surprise, for we remember the things that surprise us.
Every “negative” card is an opportunity.
That second one provides an especially great perspective. In fact, if that were the only thing that a Tarot reader got from this workshop, it would be enough.
Next, I decided to take a break and sit out the next workshop since I wanted to rest up for my workshop which was to follow (Millions of Tarot Spreads: Create your own Tarot spreads for all occasions). So I sat down at a table out in the common area and pretty soon James Wanless came up and joined me. We ended up talking for about a half an hour about Tarot, about the Tarot business, and about life. It was yet another example of the great networking opportunities that arise spontaneously at a Tarot event. (Where else are you going to get a chance to have a lengthy chat with the incomparable James Wanless?)
Well, that’s about it. (Oh yes, by the way, I think my workshop went pretty well too. Of course, mine may not be a totally unbiased opinion.)
Finally, the moral of the story is this: Next year, do consider going to BATS, or some other Tarot conference! (Here are a couple other annual events worth attending: The New York Readers Studio and the Northwest Tarot Symposium) You won’t regret it. And if you need even more convincing, you can read my reports on past Tarot conferences here.
PS: In case you’re wondering, I did do a few readings while I was there. They went very well, but naturally, discretion keeps me from saying more.
Addendum: A few photo credits:
The shot of Thalassa is courtesy of McCord. I think the one of Benebell is too, but I’m not sure.
The shot of Mary Greer is courtesy of Davida Rappaport.
Rana herself took our picture and the one of Katrina and me is courtesy of Jeffrey Elliott.
I don’t know who did the shot of James Wanless. If anyone knows, please let me know.
 This BATS Report is, by no means, comprehensive of all I got to see and do, the content of the workshops, and everyone I got to meet and talk to.